Every man has his price > ‘Refused are fucking dead’

evenko présente REFUSED au Métropolis de Montréal, le 21 juillet 2012. Le groupe californien OFF! (Keith Morris : Black Flag & Circle Jerks, Dimitri Coats : Burning Brides, Steven McDonald : Redd Kross, Mario Rubalcaba : Clikatat Ikatowi & Rocket From The Crypt & Earthless & Sultans & Hot Snakes & Spider Fever) assurera la première partie.

Amorcée le 12 avril en Californie, la tournée ‘Retour/Au revoir’ (trente-sept dates) se poursuit actuellement du côté de l’Europe. REFUSED retournerons en sol américain à compter du 15 juillet prochain (Atlanta, GA) pour une série de dix concerts, parcourant quelques-unes des grandes villes de la côte Est nord-américaine (itinéraire complet plus bas).

Les billets pour la sérénade Montréalaise sont en vente depuis le 30 mars dernier.

Plus d’informations sur le site d’evenko (y’a un événement Facebook ici).

Le Ian Svenonius des pauvres (et ses Preps de soutient) ont interprétés les treize chansons suivantes au festival Coachella du mois d’avril dernier … Si jamais je sais pas, tu voulais t’y préparer adéquatement? :

1. The Shape of Punk To Come
2. The Refused Party Programme
3. Liberation Frequency
4. Rather Be Dead
5. Coup d’État
6. Summer Holiday vs Punk Routine
7. Deadly Rhythm
8. Hook, Line and Sinker
9. Circle Pit
10. Refused Are Fucking Dead
11. Worms of the Senses / Faculties of the Skull
12. New Noise
13. Tannhäuser/Derrivé

‘When the Swedish post-hard-core combo REFUSED first came to America in the late ‘90s, the band had a plan. “We wanted to overthrow your capitalist system,” singer Dennis Lyxzen said onstage at the band’s reunion show at Coachella’ …

REFUSED Tournée 2012:

04/12 – Pomona, CA @ The Glass Housw
04/13 – Indio, CA @ Coachella Music Festival
04/18 – San Francisco, CA @ The Warfield *
04/20 – Indio, CA @ Coachella Music Festival
04/22 – New York, NY @ Terminal 5
04/23 – New York, NY @ Terminal 5
04/27 – Berlin, DE @ Monster Bash
04/28 – Dusiburg, DE @ Telekom Playgrounds
04/29 – Meerhout, BE @ Groezrock
05/31 – Barcelona, ES @ Primavera Sound
06/01-03 – Nürburgring & Nürnberg, DE @ Rock am Ring & Rock im Park
06/04 – Milan, IT @ Arena Fiera Di Rho
06/08 – Nickelsdorf, AT @ Nova Rock
06/09 – Muenster, DE @ Vainstream
06/15 – Interlaken, CH @ Greenfield Festival
06/16 – Clisson, FR @ Hellfest
06/17 – Interlaken, CH @ Flugplatz
07/01 – Belfort, FR @ Eurockeennes
07/05 – Roskilde, DK @ Roskilde Festival
07/06 – Turku, FI @ Ruisrock
07/08 – Knebworth, UK @ Sonisphere Festival
07/13 – Lisbon, PT @ Optimus Alive! Festival
07/15 – Atlanta, GA @ The Masquerade ^
07/16 – Silver Spring, MD @ The Fillmore ^
07/18 – Brooklyn, NY @ Williamsburg Summer Garden ^
07/19 – Philadelphia, PA @ Penn’s Landing (Riot Fest East) ^
07/20 – Boston, MA @ House of Blues ^
07/21 – Montreal, QC @ Metropolis ^
07/22 – Toronto, ON @ The Sound Academy ^
07/23 – Toronto, ON @ The Sound Academy ^
07/25 – Royal Oak, MI @ Royal Oak Music Theatre ^
07/26 – Chicago, IL @ Congress Theater ^
07/29 – Yuzawa, JP @ Fuji Rock Festival
08/09 – Gothenburg, SE @ Way Out West Festival
08/10 – Oslo, NO @ Oya Festival

* = w/ The Hives and The Bronx
^ = w/ OFF!

MAJ : Nouvelles dates ajoutées :

8/22 – Denver, CO @ Ogden Theater
8/28 – Seattle, WA @ Paramount Theater w/ Sleigh Bells
8/29 – Portland, OR @ Roseland Theater w/ Sleigh Bells
8/31 – San Francisco, CA @ Bill Graham Civic Auditorium w/ Sleigh Bells

***

‘When the cops finally forced their way through the crowd at the very last Refused show, it seemed a fitting end to a story of revolutionary romanticism and merry rebellion. Refused was the greatest promise punk rock was making. Was that promise of redemption fulfilled in this act of repression or was it just another installation in the neverending soap opera of authority vs. kids? In this undaunred documentary, Refused guitarist Kristofer Steen retraces the steps of how punk rock’s brave new sound forged it’s way through the swamps and swill on their last campaign in Europe and America, rushing like mad dogs to meet with their inevitable doom. This documentry chronicles there last days as a band.’